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・ Tombouctou
・ Tombouctou Region
・ Tomboutou
・ Tomb of Shah Jamal
・ Tomb of Shah Rukn-e-Alam
・ Tomb of Sher Shah Suri
・ Tomb of Sikandar Lodi
・ Tomb of Simeon the Just
・ Tomb of Suleyman Shah
・ Tomb of Sultan Murad
・ Tomb of Syed Abid
・ Tomb of Tharo Khan
・ Tomb of the Augurs
・ Tomb of the Blue Demons
・ Tomb of the Bulls
Tomb of the Dancers
・ Tomb of the Diver
・ Tomb of the Eagles
・ Tomb of the General
・ Tomb of the Golden Bird
・ Tomb of the Gwanggaeto
・ Tomb of the Jibei King
・ Tomb of the Julii
・ Tomb of the King of Boni
・ Tomb of the Known Soldier
・ Tomb of the Leopards
・ Tomb of the Lizard King
・ Tomb of the Matriarchs
・ Tomb of the Mutilated
・ Tomb of the People's Heroes, Zagreb


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Tomb of the Dancers : ウィキペディア英語版
Tomb of the Dancers

The Tomb of the Dancers or Tomb of the Dancing Women ((イタリア語:Tomba delle Danzatrici)) is a Peucetian tomb in Ruvo di Puglia, Italy. It was discovered in the Corso Cotugno necropolis in November 1833. The date of its construction is uncertain, dates ranging from the end of the fifth century BC to the mid-fourth century BC have been proposed. In any case, the tomb's frescoes are the oldest example of figurative painting in Apulia, together with another tomb in Gravina di Puglia. The Peucetians borrowed the practice of painting tombs from the Etruscans, who had an important influence on their culture. The tomb is named after the dancing women which appear on the frescoes in the tomb. The panels with the frescoes are now exhibited in the Naples National Archaeological Museum, inv. 9353.
== Description ==
The tomb has a semichamber design found . Its six painted panels depict thirty or more dancing women, moving from left to right with arms interlocked as though they were dancing a circle around the interior of the tomb. They are dressed in chitons and cloaks and have brightly colored veils on their head. There are three men in the group, distinguished by their white clothes. One of them holds a lyre.
The skeletal remains of the deceased in the tomb clearly belonged to a distinguished male warrior. He was dressed in a helmet, greaves and shield. Next to his right arm were spears and daggers. The grave goods included different types of ceramic pottery. These consisted of kraters, amphorae, kantharoi and some oil lamps. They were arranged on the ground and hung from the lower sections of the walls. The pottery had symbolic and funerary significance.

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